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Joseph Harrington

Primary office:
3035 Wescoe Hall

Areas of Research
US literatures, particularly post-1900; poetry and poetics; mixed-genre writing; documentary poetry; experimental nonfiction; cultural studies; political philosophy.

Selected Publications


  • Things Come On (an amneoir). Wesleyan Poetry Series. Middletown, Conn.:    Wesleyan Univ. Press, 2011. A Rumpus Poetry Book Club selection.
  • Goodnight Whoever’s Listening (e-chapbook). Laramie, WY: Essay Press, 2015.
  • Earth Day Suite (e-chapbook). Chicago: Beard of Bees Press, 2010.
  • Tracking/Teaching: On Documentary Poetics (e-chapbook, editor). Laramie, WY:        Essay Press, 2015.
  • Of Some Sky (chapbook). Port Townsend, WA: Bedouin Press (forthcoming).
  • Poetry and the Public: The Social Form of Modern U.S. Poetics. Middletown, Conn.:      Wesleyan Univ. Press, 2002.

Excerpts, Articles, and Poems

  • Excerpt from Of Some Sky. Bombay Gin. Forthcoming.
  • “Kansas &/or Oz, in the Poetry of Kenneth Irby and Ronald Johnson” (article). Kenneth Irby Special Issue.  Jacket2. 18 Nov. 2014.
  • Excerpt from Griefing on Summit. New South 7:1 (2014) 35-53.
  • Excerpt from Griefing on Summit. Tupelo Quarterly 2 (2014).
  • “NO_SOME” (essay) & excerpt from No Soap (biography). Atticus Review. 21 May 2013.
  • Excerpt from No Soap. Hotel Amerika 10:1 (fall 2011), 82-104.
  • “Docupoetry and Archive Desire” (article). Jacket2. 27 Oct. 2011.
  • Excerpt from No Soap. BathHouse 8:2 (2011).
  • Excerpts from Things Come On (an amneoir). Academy of American Poets web site.
  • Excerpt from No SoapThe Collagist 14 (2010). 
  • Excerpt from Poetry and the Public. Poetry and Cultural Studies: A Reader, Ed. Maria Damon and Ira Livingston. Urbana, IL.: Univ. of Illinois Press, 2009. 266-284.
  • “Is Hegemony Leadership?” Who’s the Boss?: Leadership and Democratic Culture.       Ed. Wil Verhoeven and Hans Krabbendam. Amsterdam: Vrie Universiteit Press, 2007. 17-26.   
  • “Why American Poetry Is Not American Literature.” American Literary History 8:3  (1996): 496-515.
  • “Wallace Stevens and the Poetics of National Insurance.” American Literature 67:1 (1995): 95114.
  • Poems in  The Rumpus, Colorado Review, Eleven Eleven, Tarpaulin Sky, Fact-Simile, 1913: a journal of forms, WSQ, and other periodicals.

Selected Awards and Honors

  • Conger-Gabel Teaching Professorship, 2013-2016
  • Millay Colony resident fellow, 2013
  • Pushcart Prize Nominee, 2011
  • Hall Center for the Humanities Creative Work Fellow, Univ. of Kansas, 2010
  • Finalist, Howard Foundation Fellowship, 2010
  • Walt Whitman Chair in American Culture Studies, Fulbright Distinguished Chairs Program, University of Groningen, The Netherlands, 2005
  • Hall Center for the Humanities Research Fellow, Univ. of Kansas, 2000
  • Mayers Fellow, Huntington Library, San Marino, Calif., 1999
  • Mortar Board Outstanding Educator Award, Univ. of Kansas, 1998

Faculty Profile
My work as a literary historian has explored the way that a particular genre of literature (poetry) exists in the world – how writers and readers depict it, how they use it, what role it plays in their lives, and how it embodies their fears and desires. My first book, Poetry and the Public, examines these issues as they play out in the twentieth-century US, via debates in magazines, in essays about poetics, and in workshops and slams, as well as in the texts of poems. My current critical interest is “docupoetry” – a poetry that attempts (or purports) to depict – and inflect – historical events.

My creative work “mashes up” verse, prose narration, lists, historical documents, photographs, and art work, most recently in a multi-genre project about my mother’s life and times. The first part to be published, Things Come On, combines an account of my mother’s dying with discourse surrounding the Watergate scandal, which was unfolding at the same time. The other volume will combine research and creative writing to tell the story of her life and historical milieu: the work of women artists in the 1930s and 40s; Capitol Hill in the 1950s; the emotional division of labor in postwar families; the experience of being an older parent in the 1960s South.


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